Saturday, December 3, 2011

Stuttgart Alcina (or, naked opera 2)

Georg Friedrich Händel

I actually don’t really know anything about this opera.

Nor about this production.


But in researching the topic of nudity in opera, I came upon this video.
I’m not sure if this counts as onstage nudity or if it’s a wardrobe malfunction, but considering the dress (which is kinda awesome) it’s either the former or the later just waiting to happen.

Catherine Naglestad “Ah, mio cor”

An issue I have with this particular video is that, given the explicit sexiness of that black dress, I don’t really buy the fact that the “boy” is a boy.

Yeah, pants roles (female singers playing young male characters) are a traditional operatic convention. But I often have difficulty turning off the part of my brain that says “that’s a woman”. And in this case, it’s even worse. I think the fact of seeing breasts onstage makes me all the more aware of the breasts on that “boy”.

Another point about this video: I’m not sure how I feel about the contemporary look and feel of an older opera, one which has the sound and feel of an older opera. Maybe it’s just the harpsichord, but for whatever reason, the visual doesn’t match the aural. I don’t mind a director’s changing the setting, nor doing a sort of minimal set, etc production, nor even something more surreal and eclectic—if it works. I suppose even changing the time period would be okay in some cases. But if it sounds old, putting it in a modern-looking and modern-feeling setting seems odd to me.

I don’t seem to have any problem with taking it in the opposite direction: for example the musical Les Miserables is set in revolutionary France in the early 1800s, yet the music is contemporary pop-ish musical theatre. I’m fine with that. And of course, I’ve seen productions and movies of Shakespeare plays that put the action in a more contemporary setting. Some were effective, some weren’t. There’s a great film of Richard III set in 1930s England. I think it works quite well.

So what’s the difference? I don’t know.

Anyway...my original point was: here’s an opera production that fits what a friend of mine was talking about when she said “More graphic nudity, sex, violence is definitely a trend in opera. I think it's trying to appeal to our dulled senses.”


If you’re interested, here’s my first naked opera entry:

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