Last night I saw a production of Hair at Elon University.
I’d seen another production—a community theatre production—several years ago. So, I guess I’ll be comparing the two a little.
But first, let me say this:
I don’t really like the show. I have issues with the show. In its day, it was probably very important. It was putting something on stage that people weren’t accustomed to seeing, at least not on stage in a polite theatrical setting. But the story isn’t always clear—the hippie-freedom of the thing gets in the way a lot. Certainly one might make the argument that the show is simply that: hippie freedom.
In fact, one of the people who went with me last might said he’d met the author years ago, and the author said the show should be really loose and free. But that’s not what I generally go to theatre to experience. I wouldn’t’ve gone to see this show if I’d had to buy the tickets. Someone I know had connections.
I’m sure it’s absolutely possible to have a show about hippie-freedom but that makes a stronger point by having a clearer story. As it is, Hair just seems to be throwing a bunch of entertainment at you in a self-aware sort of way. There are several lines in the script which refer to the audience, etc.
But if the point is to “experience” a taste of free, crazy fun then there are better ways to do it. For example, attend a theatre party. If it’s the right party, there’ll be people actually smoking pot (or doing something)—it may be in a back room somewhere, but you can find it. If you stick around long enough, there will be nudity. There will be talk of sex, and there may be actual sex. Definitely there will be loud music and singing and dancing and occasional moments of tender emotional outpouring.
So, this production last night:
Generally, it was extremely well performed. That’s very typical of Elon—they have some amazing singers and dancers and actors and various combinations of all three. The first act was strong, much more focused than the other production I saw several years ago, and probably more so than most productions. The second act seemed weaker—maybe due to the writing, maybe not. I don’t know. But it seemed lacking after act 1. It’s an odd act—most, or a big chunk, of it is a drug trip which is a series of vignettes. But that doesn’t stand out as being significantly different, as the rest of the show shares that quality. There were video projections and a chick in a black unitard with what I think were bones painted on it I assume representing death—the trip mostly deals with anxiety about Viet Nam. There were some nice moments in act 2, but it just didn’t live up to the energy and excitement of act 1.
The nudity:
In the original production there was nudity. In the production I saw several years ago there was nudity. In a production a friend of mine was in a few years ago there was nudity. I would assume it’s always done with nudity, although I’m not naïve enough to think there aren’t theatres who would choose to do the show but who would never consider putting nudity onstage. It’s the same kind of groups who’d put up a show that has a lot of profanity, but then censor it, so as to not upset the delicate sensibilities of their audience. (Or perhaps it’s more about the fears and timidity of the producers/directors.) And to those people I say, “Choose a different fucking show, assholes. There are tons of “family-friendly” options out there.
Or better yet: http://christianplays.net/ or http://www.christiantheatre.org/ I mean, isn’t that the issue? (Oddly, there’s no heathenplays.org or .com or whatever. Oh yeah, that’s just regular theatre.)
So, there was nudity in last night’s production. It was in the typical place: the act 1 finale. Here’s what the director said in her notes in the program:
“In the spirit of this theme of freedom, my point of view as director was not to censor, nor require, the nudity, but rather to leave it as an individual option for each member of the company. Although there was much rehearsal for every other part of this production, this particular moment was never rehearsed. The final decision is ultimately left up to the performer, based upon his or her character’s beliefs, in the given moment of the scene.”
Now, I know this director. I don’t particularly want to hurt her feelings (and if you’re reading this, feel free to respond—for that matter, anyone should free to respond to any of these blog entries; in fact, please do), but...to me that feels like a bit of a cop-out. And the way that the nudity was presented felt a little bit like a cop-out.
It was not, “Hey, look at us, we’re naked, we’re free, it’s a part of who we are.” The cast, except “Claude” (the “main character”), was in a semi-circle across the stage, standing pretty tightly packed together. Clause was out in the middle of the audience, standing on the arms of two seats with a spotlight on him. With that staging, he should be the focus of the scene, although most people were probably looking, squinting, trying to see more of the naked people onstage. So, to me, it seemed more like, “this is Hair; we’re naked, but you can only sort of see it.” You could tell that some were totally naked, some were clothed, but there were very few individuals. Perhaps if I knew the cast, I might recognize more individuals. But the lighting was about as dark as you’ll see onstage except for a blackout.
Now, I’m not old enough to have been around back in the day, so I don’t know exactly how nudity of that group (hippies) in that time (the 60s) should play. But it didn’t feel like freedom or self-expression or defiance of social convention. It felt like they were doing Hair, and that’s what you’re “supposed” to do at that moment, so they did it, but not in a way that would be too offensive.
The other production I saw several years ago embraced that nudity much more. If I recall correctly, in that production there was nudity in a couple of other spots as well, not just the act 1 finale. There didn’t seem to be any fear or uncertainty or reluctance concerning the nudity. It was unapologetically part of the show. My feeling is that it should be unapologetic and unfearful. If you’re gonna be naked (and free), just do it.